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Rh their wailing brother. 'Tis but for a moment: before the melancholy of those low notes has been fully realised, again comes the full force of all the band—down go the pedals, away rush twenty fingers scouring over the bass notes with all the impetus of passion. Apollo blows till his stiff neckcloth is no better than a rope, and the minor canon works both arms till he falls in a syncope of exhaustion against the wall.

How comes it that now, when all should be silent, when courtesy, if not taste, should make men listen,—how is it at this moment the black-coated corps leave their retreat and begin skirmishing? One by one they creep forth, and fire off little guns timidly, and without precision. Ah, my men, efforts such as these will take no cities, even though the enemy should be never so open to assault. At length a more deadly artillery is brought to bear; slowly, but with effect, the advance is made; the muslin ranks are broken, and fall into confusion; the formidable array of chairs gives way; the battle is no longer between opposing regiments, but hand to hand, and foot to foot with single combatants, as in the glorious days of old, when fighting was really noble. In corners, and under the shadow of curtains, behind sofas and half hidden by doors, in retiring windows, and sheltered by hanging tapestry, are blows given and returned, fatal, incurable, dealing death.

Apart from this another combat arises, more sober and more serious. The archdeacon is engaged against two prebendaries, a pursy full-blown rector assisting him, in all the perils and all the enjoyments of short whist. With solemn energy do they watch the shuffled pack, and, all-expectant, eye the coming trump. With what anxious nicety do they arrange their cards, jealous of each other's eyes! Why is that lean doctor so slow—cadaverous man with hollow jaw and sunken eye, ill beseeming the richness of his mother church! Ah, why so slow, thou meagre doctor? See how the archdeacon, speechless