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Rh conversational troubles. While these vexed him sorely, the passes would be short and slow, and the upper hand would not be seen to work; nay the strings on which it operated would sometimes lie concealed in the musician's pocket, and the instrument on which he played would be beneath his chair; but as his spirit warmed to the subject,—as his trusting heart, looking to the bottom of that which vexed him, would see its clear way out,—he would rise to a higher melody, sweep the unseen strings with a bolder hand, and swiftly fingering the cords from his neck, down along his waistcoat, and up again to his very ear, create an ecstatic strain of perfect music, audible to himself and to St. Cecilia, and not without effect.

"I quite agree with Cox and Cummins," continued the archdeacon: "they say we must secure Sir Abraham Haphazard. I shall not have the slightest fear in leaving the case in Sir Abraham's hands."

The warden played the slowest and saddest of tunes: it was but a dirge on one string.

"I think Sir Abraham will not be long in letting Master Bold know what he's about. I fancy I hear Sir Abraham cross-questioning him at the Common Pleas."

The warden thought of his income being thus discussed, his modest life, his daily habits, and his easy work; and nothing issued from that single cord, but a low wail of sorrow. "I suppose they've sent this petition up to my father." The warden didn't know; he imagined they would do so this very day.

"What I can't understand is, how you let them do it, with such a command as you have in the place, or should have with such a man as Bunce; I cannot understand why you let them do it."

"Do what?" asked the warden.

"Why, listen to this fellow Bold, and that other low