Page:The Waning of the Middle Ages (1924).djvu/146

 No other epoch has laid so much stress as the expiring Middle Ages on the thought of death. An everlasting call of memento mori resounds through life. Denis the Carthusian, in his Directory of the Life of Nobles, exhorts them: "And when going to bed at night, he should consider how, just as he now lies down himself, soon strange hands will lay his body in the grave." In earlier times, too, religion had insisted on the constant thought of death, but the pious treatises of these ages only reached those who had already turned away from the world. Since the thirteenth century, the popular preaching of the mendicant orders had made the eternal admonition to remember death swell into a sombre chorus ringing throughout the world. Towards the fifteenth century, a new means of inculcating the awful thought into all minds was added to the words of the preacher, namely, the popular woodcut. Now these two means of expression, sermons and woodcuts, both addressing themselves to the multitude and limited to crude effects, could only represent death in a simple and striking form. All that the meditations on death of the monks of yore had produced, was now condensed into & very primitive image. This vivid image, continually impressed upon all minds, had hardly assimilated more than a single element of the great complex of ideas relating to death, namely, the sense of the perishable nature of all things. It would seem, at times, as if the soul of the declining Middle Ages only succeeded in seeing death under this aspect.

The endless complaint of the frailty of all earthly glory was sung to various melodies. Three motifs may be distinguished. The first is expressed by the question: where are now all those who once filled the world with their splendour?