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110 to transfer their allegiance to Naples, had now become accustomed to their virtual masters. There were contingencies, nevertheless, not likely to escape the sagacity of Venice, by which some other hand, after all her long intrigue, might perhaps gather its fruits. Catarina still retained more than ordinary beauty; and her picture, in widow's weeds (even now glowing with almost original freshness among the treasures of the Palazzo Manfrini), was one of the earliest great works of Titian, which, both from the skill of the artist and the loveliness of the subject, extended his growing fame beyond the borders of the Lagune. With so great attractions, coupled to the rich dowry of a kingdom, it was not probable that the queen of Cyprus would long remain without suitors; and rumour already declared her to be the intended bride of Frederic, a son of the king of Naples. If she married and bore children, Cyprus would become their inheritance; and to prevent the possibility of such an extinction of their hopes, the Venetian government resolved to assume its sovereignty directly in their own persons. The civilians, therefore, were instructed to avouch the legitimacy of this claim; and they declared, perhaps with less sincerity than solemnity, that the son of Giacopo Lusignano inherited the crown from his father; that since he died a minor, his mother inherited from him; and that finally Venice inherited from his mother, an adopted daughter of St. Mark. "Giorgio Cornaro, a brother of the queen, was solicited to conduct the ungrateful process of her deposition. To his representations,—that by abandoning the care of a turbulent kingdom, and returning to her native land, in which she might