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 of seeing through Christianity itself. They not only tried to be in all ages at once (which is a very reasonable ambition, though not often realised), but they wanted to be on all sides at once: which is nonsense. Swinburne tries to question the philosophy of Christianity in the metres of a Christmas carol: and Dante Rossetti tries to write as if he were Christina Rossetti. Certainly the almost successful summit of all this attempt is Pater's superb passage on the Monna Lisa; in which he seeks to make her at once a mystery of good and a mystery of evil. The philosophy is false; even evidently false, for it bears no fruit to-day. There never was a woman, not Eve herself in the instant of temptation, who could smile the same smile as the mother of Helen and the mother of Mary. But it is the high-water mark of that vast attempt at an impartiality reached through art: and no other mere artist ever rose so high again.

Apart from this Ruskinian offshoot through Pre-Raphaelitism into what was called