Page:The Victorian Age.djvu/44

 reaction against Tennyson has culminated in abuse of the Idylls, in which the present generation finds all that it most dislikes in the Victorian mind. Modern research has unburied the unsavoury story that Modred was the illegitimate son of Arthur by his own half-sister, and blames Tennyson for not treating the whole story as an Oedipus-legend. In reality, Malory does not so treat it. He admits the story, but depicts Arthur as the flower of kinghood, 'Rex quondam rexque futurus.' Tennyson, however, was not bound to follow Malory. He has followed other and still greater models, Spenser and Milton. He has given us an allegorical epic, as he explains in his Epilogue to the Queen:

The whole poem is an allegory. Camelot is