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[36] in English literature, which makes a convenient division between the great men of the Napoleonic era and the great Victorians.

From about 1840, when great literature again began to appear, the conditions were more like those with which we are familiar. There was an unparalleled output of books of all kinds, a very large reading public, and a steadily increasing number of professional authors dependent on the success of their popular appeal. As in our own day, a great quantity of good second-rate talent trod on the heels of genius, and made it more difficult for really first-rate work to find recognition. The impetus of the Romantic movement was by no means exhausted, but it began to spread into new fields. The study of 'Gothic' art and literature had been at first, as was inevitable, ill-informed. Its reconstruction of the Middle Ages was a matter of sentimental antiquarianism, no more successful than much of its church restoration. The Victorians now extended the imaginative sensibility which had been expended on