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T the street corner, as solid as granite in the “rush-hour” tide of humanity, stood the Man from Nome. The Arctic winds and sun had stained him berry-brown. His eye still held the azure glint of the glaciers.

He was as alert as a fox, as tough as a caribou cutlet and as broad-gauged as the aurora borealis. He stood sprayed by a Niagara of sound—the crash of the elevated trains, clanging cars, pounding of rubberless tires and the antiphony of the cab and truck-drivers indulging in scarifying repartee. And so, with his gold dust cashed in to the merry air of a hundred thousand, and with the cakes and ale of one week in Gotham turning bitter on his tongue, the Man from Nome sighed to set foot again in Chilkoot, the exit from the land of street noises and Dead Sea apple pies.

Up Sixth avenue, with the tripping, scurrying, chattering bright-eyed, homing tide came the Girl from Sieber-Mason’s. The Man from Nome looked and saw, first, that she was supremely beautiful after his own conception of beauty; and next, that she moved with exactly the steady grace of a dog sled on