Page:The Tragic Muse (London & New York, Macmillan & Co., 1890), Volume 3.djvu/187

Rh They suggest things, they light them up and sanctify them, as you may say; they make them appear worth doing." She became radiant for a moment, as if with a splendid vision; then melting into still another accent, which seemed all nature and harmony, she proceeded: "I must tell you that in the matter of what we can do for each other I have a tremendously high ideal. I go in for closeness of union, for identity of interest. A true marriage, as they call it, must do one a lot of good!"

Sherringham stood there looking at her a minute, during which her eyes sustained the rummage of his gaze without a relenting gleam of the sense of cruelty or of paradox. With a passionate but inarticulate ejaculation he turned away from her and remained, on the edge of the window, his hands in his pockets, gazing defeatedly, doggedly, into the featureless night, into the little black garden which had nothing to give him but a familiar smell of damp. The warm darkness had no relief for him, and Miriam's histrionic hardness flung him back against a fifth-rate world, against a bedimmed, star-punctured nature which had no consolation—the bleared, irresponsive eyes of the London heaven. For the brief space that he glared at these things he dumbly and helplessly raged. What he wanted was something that was not in that thick prospect. What was the meaning of this sudden offensive importunity of "art," this senseless mocking catch, like some irritating chorus of conspirators in a bad opera, in which Miriam's voice was so incongruously conjoined with Nick's and in which Biddy's sweet little pipe had not scrupled still more bewilderingly to mingle? Art be damned: what commission,