Page:The Tragic Muse (London & New York, Macmillan & Co., 1890), Volume 1.djvu/66

58 "Ought to be—ah, there's the bitterness! The stockbroker had too short a go—he was carried off in his flower. However, he left his wife a certain property, which she appears to have muddled away, not having the safeguard of being herself a Hebrew. This is what she lived upon till to-day—this and another resource. Her husband, as she has often told me, had the artistic temperament; that's common, as you know, among ces messieurs. He made the most of his little opportunities and collected various pictures, tapestries, enamels, porcelains and similar gewgaws. He parted with them also, I gather, at a profit; in short, he carried on a neat little business as a brocanteur. It was nipped in the bud, but Mrs. Rooth was left with a certain number of these articles in her hands; indeed they must have constituted the most palpable part of her heritage. She was not a woman of business; she turned them, no doubt, to indifferent account; but she sold them piece by piece, and they kept her going while her daughter grew up. It was to this precarious traffic, conducted with extraordinary mystery and delicacy, that, five years ago, in Florence, I was indebted for my acquaintance with her. In those days I used to collect—Heaven help me!—I used to pick up rubbish which I could ill afford. It was a little phase—we have our little phases, haven't we?" asked Gabriel Nash, with childlike trust—"and I have come out on the other side. Mrs. Rooth had an old green pot, and I heard of her old green pot. To hear of it was to long for it, so that I went to see it, under cover of night. I bought it, and a couple of years ago I overturned it and smashed it. It was the last of the little phase. It was not, however, as you have seen,