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 The next number was a skirt dance by Miss Pinkie Dawson, a pupil of Alfreda Mitchell, a fact which would have been apparent to a messenger from Mars had he observed Miss Mitchell's deportment during its performance. Every lift of the voluminous, green cheese-cloth skirt, every elevation of the pointed toe, every bend of the flexible body was reflected in the movements of Miss Mitchell's arm from her distant seat in the parquet.

Miss Pinkie Dawson disposed of, a very much frightened young man bore a casket gingerly to the centre of the stage and deposited it on the table. Among the spectators at this juncture there was a frantic consultation of programs. Miss Clara Barnes, it was discovered, was announced to sing the Jewel Song from Faust, by Mons. Gounod. The second prelude to the appearance of the prodigy was the rushing of Mrs. Barnes from the stage-door behind the boxes on the left side, up the aisle, to the rear of the house, where she stood, palpitating and proud, leaning against the brass rail which enclosed the dress-circle. There was a long pause before the diva made her way forward amidst cheers and the beating of palms. Clara was attired in a short yellow dress of some soft, summer material. It was not cut very much after the fashion of medieval Nuremberg, but a black leather handbag, suspended from her belt, a cap on her head, and the fact that her hair was plaited in two long braids made it apparent that she intended the