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 flowers and ferns, and contains at least two valuable canvases. One is a life-size picture by Grant of Archbishop Longley—the first Bishop—the other, by Watts, is that of Bishop Bickersteth, the second Bishop. Both of these are heirlooms of the See of Ripon. Just beyond is a second hall, where is the great oak staircase leading to the rooms above. This corner is rich in etchings and engravings. Paul Sandby, R.A., is well represented with his "Windsor"; works by Aumonier, Fred Slocombe, Charles Murray, David Law, Joseph Knight, Meissonier, and a striking etching of Napoleon, by Ruet, are noticeable. There are many quaint old views of "Ripon Minster," a Soudanese sword which one of the Bishop's sons brought from Egypt, whilst on a table is a very clever model of the Bishop's father's church at Liverpool. It was made by an invalid lady, and her ingenious fingers have handled the cardboard and gum most artistically.

Immediately opposite to the hall is the Holden Library. A picture of the Rev. J. Holden, who not only founded it, but left a small endowment to keep it in good order, hangs over the fireplace. Here the clergy of the diocese may come and consult the volumes. It is a fine room, and its outlook upon the rising ground of the garden is pleasantness itself.

We were just leaving the library when a soft pit-pat, pit-pat at our heels caused me to turn. The quiet, disturbing footfalls were made by a beautiful blue Angora cat, which was accompanied by George, the pug, who had made his presence known at the dinner table. Both Sultan, the cat, and George proved to be the most interesting of animals imaginable. Sultan's kittens are sold for charitable purposes. and a little litter realized