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N considering the picture-books belonging to the grandfathers of the young and old among us, we are much indebted to Messrs. Field and Tuer for permission to reproduce a number of examples from their "1,000 Quaint Cuts from Books of Other Days."

Here, to begin with, is a set of pictures illustrating the marvellous history of Tom Thumb. First there is a very respectable cut representing that critical moment of the hero's history when he was taken up in a mouthful of grass by a cow. Then we have him astride of his faithful butterfly, sailing gaily over houses, fields, and trees. Comparing the butterfly with the adjacent tree, it would seem to be about as big as a large crocodile, with wings rather larger than a church door. Then we have the furmety bowl accident. It is pleasing to observe, in this picture, the architecture of the period of King Arthur, according to the artist. Rows of brick houses, with severely rectangular doors and windows, appear to have been in fashion, while a magnified bedpost stood at the head of a flight of steps. In the fourth picture we have the last sad adventure, when the deadly breath of the wicked spider put an end to the doughty deeds, the butterflyings, and the paste-wallowings of good Sir Thomas. Observe the terrifying expression of the spider's face (he is a rare kind of spider, by the bye, with a monkey's head), and the extraordinary action whereby he essays "cut one," which Sir Thomas is to receive on his shield. A spider who can go through the broadsword exercise is as great a wonder as Sir Thomas himself.

Next we have Jack the Giant Killer. From the first cut grandfather gathered his ideas as to how the first of Jack's famous exploits—that with Cormoran—was accomplished. Observe the dark lantern in the corner—quite up to date, you see, although Jack was, like Sir Thomas, a contemporary of King Arthur. Then we have Jack tackling Blunderbore and his brother, strangling them with a rope tied to his window frame, trampling all over their heads and shoulders and cutting off their heads like anything, while they lean limply on their clubs. The next two cuts tell us all about