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 in the wondrous eyes, that we can make a guess at what the impression must have been when life animated the lovely picture. So, too, it was with her singing; she was possessed of the double power of delighting an audience equally in pathetic strains and songs of brilliant execution, a combination allowed to few vocalists.

The life of this gifted being was a troubled one. It began in a romance, which added to her interest in the eyes of the public. The Linleys were all musicians; her father, Dr. Linley, was a teacher of great eminence, living at Bath. When the Sheridans came to reside there, the two brothers fell at once in love with the siren Elizabeth, who had already more lovers than she knew how to manage. She preferred, however, Richard Sheridan, and eloped with him to France, to avoid an importunate lover, Captain Matthews. On their arriving in France, the astute Richard worked on his companion's feelings and persuaded her to be married to him at Lille by a clergyman who performed these irregular marriages. The bride at once retired to a convent, where she remained until her father came to fetch her. Of late this version of the incident has been denied, and it is said there was no marriage; anyhow, the father, daughter, and Sheridan returned to London. Richard fought two duels with Captain Matthews, and finally the course of true love ran smooth, and he and Elizabeth were publicly wedded, with all pomp and ceremony, in April, 1773. From the first the public took the young pair under its protection; they made friends everywhere. It was in truth an ideal union of beauty and talent. Mrs. Sheridan's lovely voice would have ensured them a good income; but her husband would not allow her to sing in public. This resolution on his part earned him the hearty commendation of Johnson:—"He has acted wisely and nobly. Would not a gentleman be disgraced by having his wife singing publicly for hire? No, sir, there can be no doubt here." Autre temps, autres mœurs—a gentleman does not now disdain to live by his wife's earnings!

Meantime, admirers crowded round the beautiful Mrs. Sheridan. Sir Joshua's portrait of her as "St. Cecilia" was exhibited in the Academy of 1775. Most simple and beautiful, was the praise of the carping critic, Horace Walpole. Even the excellent and most virtuous King took notice of the young beauty, and it was said ogled her when she sang in oratorios.

The struggle in which Sheridan was more or less engaged during his whole life had begun. A brilliant, erratic genius, such as was the author of the "Rivals," is not a safe guard of domestic happiness; but, after all is said and done, Sheridan