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 history of this sign have been without avail. Far different is it with the White Bear, now to be seen within the house of business of Messrs. Gow, No. 47, Cheapside. This most interesting sign was discovered while making alterations as lately as 1882. The house itself stands at the corner of Soper's-lane (modern designation, Queen-street), and was once the shop of the far-famed merchant, Sir Baptist Hicks, Kt., subsequently Viscount Campden. Baptist Hicks was the successful son of a wealthy father, and succeeded to what was in those days a most thriving silk mercer's business. His career is remarkable in more ways than one, for though a favourite at Court, immensely wealthy and knighted, he was the first London merchant who after knighthood took the resolution to still continue in business.

It is also worthy of notice that the stone figure of the bear faces in the opposite direction to all other heraldic signs now standing in London. At No. 28, Budge-row, will be found one of the best preserved of all the London signs, "The Leopard" (otherwise Lizard or Lazarde). This is the crest of the Worshipful Company of Skinners, and as Budge-row took its name from the skin of newly-born lamb, which was termed Budge, the origin of this sign can be in no way a matter of doubt. The Skinners' Hall, too, was close by, and quite early in the fourteenth century it may be noted that enactments were in force against the wearing of "cloth furred with Budge or Wool" by persons (women) of inferior rank.

Lower Thames-street, known in the time of Stow as Stock Fishmonger-street, still possesses two very good examples of signs: one, the "Bear," with its collar and chain, carved in very high relief, and surmounted by initials and date (1670).

On the borders of Islington and Clerkenwell there are a group of signs which belong to houses celebrated in past days. The first is the "Old Red Lion." Here there are two carved shields, one of which only is antique—i.e., that on the north gable. This house has memories and traditions both literary and artistic. Within its walls Tom Paine wrote the "Rights of Man." This is, however, a questionable honour. Here Hogarth was wont to stay, and has even introduced its gables into one of his prints—"Evening." The house, too, was the haunt at times of Thomson, Goldsmith, and Johnson.

Another sign is the "Pelican," of which there is an example in Aldermanbury. The fabulous story of the pelican "vulning" (i.e., wounding) its breast to feed its young endured for ages, and even as late as the reign of George I., at Peckham Fair, there was advertised to be on view "A pelican that suckles her young with her heart's blood, from Egypt." In the same district as the "Pelican," at the corner of Addle-street, E.C., may be seen yet another "Bear"—how popular as signs