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 carrier, who, "solely for the love of art," volunteered to convey one of his important canvases to London free of charge. These pictures were the price paid for the van hire, and two of them now hang in the National Gallery-"The Market Cart," and "The Parish Clerk."

The two next reproductions we give have exceptionally singular histories. One indeed is a romance of the purest type. The fact of his celebrated Duchess of Devonshire having been stolen has probably had much to do with making the public regard it as the finest thing that Gainsborough ever did. But art connoisseurs say that the "Hon. Mrs. Graham" is a far finer bit of colouring. It now hangs in the National Gallery of Scotland, and its value is put down at £25,000. Here is its history—a truly romantic one.

Mrs. Graham was the wife of Captain Graham, who years afterwards became General Lord Lynedoch, G.C.B. She was only seventeen when her husband commissioned Gainsborough to paint her. He was passionately attached to his beautiful wife, their married life was one long day of happiness, and when, at a comparatively early age, she died, her broken-hearted husband could not bear even to look upon the picture, and it disappeared. He tried in every way to put an end to his life honourably; but at all times failed. He went into the Peninsular War, volunteered for every "forlorn hope" in the hope of getting killed; but he seemed to bear a charmed life, and rose to be a Field Marshal in the English Army, and lived to ninety-one years of age. Where was the picture of such fabulous value? It was not until after Lord Lynedoch's death that it was discovered in a furniture warehouse, where it had been packed away in a heavy case and concealed from view for very many years.

We now come to the picture that was the means of bringing about the historical quarrel between Gainsborough and the Royal Academy; and, in order that its history should be fully set forth in these pages, the writer has searched the various newspapers of that day with a view of showing the extreme feeling that existed. Gainsborough sent a picture of the three daughters of George III. to the Academy, with a polite request that it should be hung the same distance from the ground as it would be when placed in position in the Royal residence. The Academy Council ignored this wish, and hung it far too high. This so enraged Gainsborough—who was of a somewhat irritable disposition—that he sent for all his pictures, and had them brought back from the Academy. The Morning Herald of May 5, 1784, says:—

"Yesterday, the three pictures of the Princess Royal, Princess Elizabeth, and Princess Augusta were removed from the Exhibition Room of Somerset House on the Strand to Mr. Gainsborough's at Pall