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HE frontispiece we are enabled to give this month is penned in what may be termed pictorial hieroglyphics by Sir Edwin Landseer. The letter was addressed to Charles George Lewis, the celebrated engraver. The first house represented is Lewis's residence in Charlotte-street, whilst the final sketch is a very correct drawing of the artist's house in St. John's Wood-road. It remains just in the same state to-day, and is occupied by Mr. H. W. B. Davis, R.A. This delightfully original missive reads—evidently in response to an invitation:—

",—I shall be delighted to come to your house, also Maria, William, and Henry.—Yours, ."

The only other occasion on which Landseer departed from his usual routine of work seems to be have been when he was on a visit to the Duke of Bedford at Woburn Abbey, in December, 1826, at which time the artist was in his twenty-third year. He set himself to sketch a couple of sportsman's cards, of which we give the one considered the most picturesque, and best calculated to show the great painter's versatility and ingenuity. The writing is that of the Duke of Bedford, and, to judge by the number of hares, rabbits, and pheasants bagged, sport at Woburn Abbey during this particular week must have been fairly brisk. There is no question as to the genuine nature of this veritable curiosity, for on the back of it is written the signature—in ink almost faded—of Lady Georgiana Russell.

From our remarks in the previous chapter on "Pictures with Histories," it will be readily gathered that behind nearly every canvas which Landseer touched some happy incident lies hidden away. His magnificent work, "A Distinguished Member of the Humane Society," was suggested to him by seeing the noble creature which figures in the picture carrying a basket of flowers in its mouth.