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 consideration, a pretty and fanciful surrounding is by no means to be despised.

Royal Academicians really do little in this branch of art. Though both Mr. Poynter and Mr. Sant have applied their brushes in this direction, and Sir John Millais has before now signified his willingness to accept a commission, it is presumed that R.A.'s prefer not to have their work confined to the narrow limits of a birthday card. An R.A. could ask a couple of hundred pounds for a design, and get it. Mr. Alma Tadema, when asked what he would charge to paint a pair of cards, replied—£600. Ordinary designs fetch from three to six guineas, though a distinctly original and novel idea, be it only in the shape of a score of splashes from the brush, is worth from ten to fifteen guineas.

Both the Princess Louise and Princess Beatrice have done some really artistic work, but their efforts have not been made public—save in the instance of the Princess Beatrice, whose Birthday Book is well known. Cards designed by Royalty have passed only between members of the Royal Family. They are very simple and picturesque, flowers and effective landscapes with mountain scenery figuring prominently. It is indisputable that women excel in such designs. Theirs seems to be a light, airy, graceful, and almost fascinating touch; there appears to be no effort—they seem only to play with the brush, though with delightful results. Amongst those ladies who are just now contributing excellent work might be mentioned the Baroness Marie Von Beckendorf, a German lady, whose flowers are delicate and fanciful to a degree. Miss Bertha Maguire is also gifted in the way of flower-painting, whilst Miss Annie Simpson paints many an exquisite blossom combined with charming landscape.

The illustrations we give show a page of what have now become ancient cards, and another of the very latest modern styles.