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 things pertaining to pictures, for before the work was delivered a fever seized Lord Chesterfield and he died. Lady Chesterfield was informed that, if she wished, the agreement might be cancelled. Her ladyship replied that she was glad of this, as she did not require the picture, which accordingly remained in Mr. Graves' shop waiting for another purchaser. It had not long to wait. One of the wealthiest and most discriminating judges of pictures in England, Baron Lionel Rothschild, came in search of it, and the following conversation between him and the owner, Mr. Graves, ensued:

"You ask me fifteen hundred guineas for it?" exclaimed the great financier, when he was told the price; "why, you sold it the other day for a thousand!"

"Yes, I know I did," replied the dealer, but that was done in a hurry, before it had been restored."

"Well, now I'll give you twelve hundred for it—twelve hundred," said the Baron, looking longingly at the work.

"Now, Baron," said Mr. Graves, good-humouredly, though firmly, if you beat me down another shilling, you shan't have the picture at all."

"Very good—then send it home at fifteen hundred guineas." It is now amongst the most valued artistic treasures of the Rothschilds, and £10,000 would not buy it to-day.

The two illustrations we now give of pictures—one of which is still missing and the other recovered after a long lapse of time—are both after Sir Joshua Reynolds. It is certain that the missing one will never be seen again. Reward after reward has been offered, but all to no avail—"The Countess of Derby," by Sir