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UESTIONS of Fashion are, perhaps, more open to debate and difference of opinion than any others. But those who ridicule the commands of Fashion, as well as those who worship them, must find an equal interest in the views of the best judges of what is beautiful and what is ugly—that is to say, of artists. In this belief, we have asked a number of our leading painters to state their views upon the subject, in the form of a reply to the succeeding questions:—

"What is your opinion of the present style of ladies' dress? What are its chief defects, and what its merits, from an artist's point of view? What is your ideal of a beautiful woman, beautifully dressed?"

Our invitation has been most cordially responded to, and we are now in a position to publish the replies received.

Ladies, who are, of course, the keenest votaries of fashion, will be delighted, and we think surprised, to find Sir Frederick Leighton on their side.

Hotel Royal, Rome.

Hôtel Royal, Rome. —Whatever may be the criticisms to which the dress of a lady in our day is open, there is a vast amount of nonsense talked about it. Titian and Velasquez would probably have been very happy to paint it.—Believe me, dear Sir, yours faithfully,

Little Holland House, Kensington, W.

, I don't know that the present style of "ladies' dress," when not pushed to extremes and exaggerations, can be very much objected to. Mr. du Maurier, in Punch, is able, without violating truth, to make it look very graceful and charming. Such portions as are easily put on and taken off need not be soberly, much less severely, criticised. It is natural, and even right, that considerable elasticity should be claimed by fashion—fancy and trade are encouraged. All, however, that is calculated to effect permanent injury to health must be very severely condemned. Tight lacing, pointed shoes, and high heels—these, unless the fashion changes (which, being very ugly, it probably will not), leave permanent disastrous results. No lady can be really well and beautifully dressed if what she wears outrages Nature's intentions in the structure of the human frame. Such outrages are: a waist like a stove pipe, shoes that compress the toes into a crumpled mass of deformity, and, it might even be added, gloves that confine the hand till it looks little better than a fin—but as this inflicts no permanent injury, it does not matter—but the foot is irredeemably ruined, to the destruction of spring and grace in movement, and to no inconsiderable injury to health. It is a very common thing to hear a lady say, "The foot is an ugly thing!" Her shapeless shoe has told her this; but it will be seen how untrue it is if one looks at a cast from the foot of an Indian woman, or the drawing of a foot by Sir Frederic Leighton. No doubt the crumpled clump of deformity common from wearing modern abominations, is a thing an ancient Greek would have shuddered at; and this is to be the more lamented as the modern young lady is often of splendid growth and form, such as probably the ancient Greek never saw.

Perhaps, the real test of the highest taste in dress would be, whether it could be put into sculpture; but that would be too rigid a rule. One may say, however, that no lady can be well dressed who, for the sake of tasteless vanity, decks herself in the spoils of the most beautiful of created creatures, cruelly indifferent to such destruction; or sticks reptiles and repulsive insects about her.

To your question, "What is your ideal of a beautiful woman?" I would answer, That form which, tall or short, or of light or dark colour, most emphasises human characteristics furthest removed from suggestions of the inferior creatures—a principle so well understood and acted upon by the great Greek artists. How beautiful when, in the words of Ruskin, "Fairest, because purest and thoughtfullest, trained in all high knowledge, as in all courteous art—in dance, in song, in sweet wit, in lofty learning, in loftier courage, in loftiest love—able alike to cheer, to enchant, or save the souls of men."

This would, I think, do for an ideal—Very truly yours,

In a second letter Mr. Watts adds:—