Page:The Spoils of Poynton (London, William Heinemann, 1897).djvu/326



The Spectator.—'Several of his types are painted in with a fine combination of breadth of effect and wealth of significant detail. . . . Certainly a book which has not merely cleverness, but real vitality.'

The Speaker.—'A novel of such remarkable merit, and written with such easy mastery of style. From first to last this striking and powerful story maintains a high level of excellence, betokening no 'prentice hand. It is a story teeming with humour and pathos, instinct with the irony of human fate, and quick to apprehend the subtle twists and inconsistencies of human character. Above all, it is deliciously original. . . and told with great spirit, humour, and dramatic vigour. A vivid picture of a side of life upon which little light has been cast by our novelists since Dickens laid down his pen.'

The Morning Post.—'On the whole realistic; this presentment of Holland in London has certain impressionist touches that are decidedly effective. . . . All the tragedy of the book centres in the figure of Peter van Eijk, a creation which says much for the author's imaginative powers.'

The Daily Telegraph.—'A singular little novel, which has so undeniable a power of its own.' (Mr. .)

The Globe.—'The literary treatment is fresh and impressive. . . . The author shows skill in all its characterisations, his mastery of Dutch idiosyncrasy being obviously complete.'

The Daily Chronicle.—'One does not care to put the book down till the last page is turned.'

The Westminster Gazette.—'Vivid in portraiture, vivacious in manner. . . . The combination of close observation and grim sardonic humour gives the book a decided charm. . . . The pathetic figure of Peter is drawn with a tenderness which indefinitely enlarges our impression of the author's dramatic possibilities.'

The Weekly Sun.—'Has the great merit of introducing us to a new world. . . . What a delightful creation Mrs. de Griendt is. Indeed, I should personally have been glad if we had had more of her. Whenever she appears on the stage she fills it with her presence, and you can see her, hear her, watch her with fascination and incessant interest. ... I think the reader will agree with me that I have not exaggerated the literary merit of this exquisitely-described scene.'

The Review of Reviews.—'You will enjoy reading it.'

The Glasgow Herald.—'A striking and amusing novel. . . . The author has a pleasant gift of humour, and has shown distinct originality.'

The Aberdeen Daily Free Press.—'In the publication of this and kindred works, Mr. Heinemann is doing much to maintain the freshness and vigour of our English fiction. . . . He has seldom provided a pleasanter and yet more bracing work than the Drama now before us. ... As a mere story it will carry delight to even the most unthinking.'


 * WILLIAM HEINEMANN,, W.C.