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144 is concerned: they are considered as classical or standard works not so much for their classical elegance of style or perfection of literary form, as for the value of the matter they contain. The father of Su Tung-po, of the Sung dynasty, remarks that something approaching to the formation of a prose style may be traced in the dialogues of Mencius. Nevertheless Chinese literary writings, both in prose and poetry, have since been developed into many forms and styles. The writings of the Western Hans, for instance, differ from the essays of the Sung period, much in the same way as the prose of Lord Bacon is different from the prose of Addison or Goldsmith. The wild exaggeration and harsh diction of the poetry of the six dynasties are as unlike the purity, vigour, and brilliancy of the T'ang poets as the early weak and immature manner of Keats is unlike the strong, clear, and correct splendour of Tennyson.

Having thus, as we have shown, equipped himself with the primary principles and notions of the people, the student will then be in a position to direct his study to the social relations of the people; to see how these principles are applied and carried out. But the social institutions, manners and customs of a people do not grow up, like mushrooms, in a night, but are developed and formed into what they are, through long centuries. It is therefore necessary to study the history the ofof the [sic] people. Now the history of the Chinese people is as yet almost unknown to European scholars. The so-called History of China, by Mr. Demetrius