Page:The Spirit of Japanese Art, by Yone Noguchi; 1915.djvu/113

108 the real essence of art, they were at least a new thing for us. There are many other lessons we received from it; it seems to me that the best and greatest value is its own existence as a protest against the Japanese art. If the Japanese art of the old school has made any advance, as it has done, it should be thankful to the Western school; and at the same time the artists of foreign method must pay due respect to the former for its creation of the "Western Art Japonised." It may be far away yet, but such an art, if a combination of the East and West, is bound to come.