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 his habits of thought, his moral inclinations, or in the general tone and tendency of his religious emotions, at any period of his life, as far as they can be gathered from his history and writings, that would lead us to anticipate such evangelical piety as this interpretation presupposes? The same agreement which exists between ordinary writers and their productions is perceptible in the inspired records. Inspiration, like Providence, selected the fittest instruments for its work. Thus, between the history of Moses and his writings, of David and his writings, of Paul and his writings, of John and his writings, a natural uniformity exists; and so of other sacred authors. Accordingly, we have not only to suppose Solomon to have been more spiritually-minded than any under the Jewish economy, but to have stood upon a level with the most enlightened and Christ-loving under the present dispensation, in order to write in such a strain. Where is any such qualification in Solomon, even remotely intimated in any part of Scripture? The wisdom which he asked, which he received, and for which he gained celebrity, was that displayed in his civil government, in social and moral teaching, of which the first-fruit was given in the decision upon the litigation of the two mothers. The poetry which he wrote, consisting of one thousand and five songs, upon natural history, not having been deemed worthy of a place in the sacred canon, shows that his muse did not indulge in a devotional strain. The Book of Ecclesiastes, which is attributed to him by tradition, is the experience of a thorough-going worldling and libertine, and a confession to men rather than God. The extensive harem which he had, displays his inordinate desire for revels and foreign women, which in old age inveigled him into the practice of idolatry. "His wives," as the Scriptures teach us, "turned away his heart after other gods." And the last we hear of him is, that "his heart was not perfect with the Lord his God, as was the heart of his father David." Is this, then, the man whose love-song is to be regarded as pre-eminently