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 her refusal; her repentance after having become acquainted with his glory; her long search after him; his accepting her after her repentance had been tried, &c. &c.

The fifth section, Chap. vi. 10-viii. 4, which explains the second, and supplements the fourth, describes how the king of Israel revealed himself ultimately to the maiden; the king, after being long and painfully sought by the maiden, who, despairing of success, and in a dejected state, had returned home, was again incited, by some new charms of hers, followed her, attended by his martial hosts, once more offered her his love, met with a hearty response, and then she offered herself to him with all she had, as his property.

The sixth section, Chap. viii. 5-14, which is a supplementary exposition of the third, and a completion of the fifth, describes how the maiden, after long and painfully searching, and longing for the king of Israel, yielded herself up to him in her home, whither he had followed her, and how she entreated for the favourable reception of her younger sister, that is, the Hametic heathen, and how the king promised the maiden that her sister shall eventually be received.

1853. Though this allegorist has repudiated the idea that Solomon represents the Messiah, at the same time, another allegorist, and that a no less writer than Hengstenberg, assures us that Solomon can be regarded only as the Messiah, and that the bride is not Japhetic heathenism, but the people of God. According to him, ''the poem celebrates the Prince of Peace and all the mercies which through him flow to the people of God'', and is divisible into two parts.

The first part, Chap. i.-v. 1, describes the advent of Messiah, the heavenly Solomon, to save his people; the tribulations and sorrows which will precede his coming, and especially the bondage of the people of God to worldly power, as the merited punishment of their unfaithfulness. These sufferings are represented under the figure of swarthiness, i. 6; winter and rain, ii. 11; dark nights and a wilderness, iii. 6. Connected