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 if he could find out her name. When he had discovered it, she asked in astonishment; "O mortal, who has betrayed my name to thee?" Then, lifting up her tiny folded hands, she exclaimed: "Alas! my fate, my fate!" Even then she would only marry him on condition that if ever he should touch her with iron she would be free to leave him and return to her family. Catastrophe, as before. In a variant the maiden, pressed by her human lover, promises to marry, provided he can find out her name. When he succeeds in doing this she faints away, but has to submit to her doom. In doing so, she imposes one more proviso: he is not to touch her with iron, nor is there to be a bolt of iron, or a lock, on their door. The servant-girl, in another story cited in Chapter VII., who was rescued from Fairyland, could only stay, it will be remembered, in her master's service so long afterward, as he forebore to strike her with iron; and the fatal blow was struck accidentally with a bit.

Mr. Andrew Lang has remarked, following Dr. Tylor, that in this taboo the fairy mistress is "the representative of the stone age." This is so; and the reason is, because she belongs to the realm of the supernatural. When the use of metals was discovered, stone implements were discarded in ordinary life; but for ages afterwards knives of stone were used for religious purposes. There is evidence, for instance, that the Hebrews, to seek no further, employed them in some of their sacred rites; an altar of stone was forbidden to be hewn; and when King Solomon built the temple, "there was neither hammer, nor axe, nor any tool of iron heard in the house while it was in building." Although there may be no direct evidence of such a practice among the Cymric Britons, they were probably no exception to the rule, which seems to have been general throughout the world; and the Druids' custom of cutting the mistletoe with a golden, not with an iron, sickle, points in this direction. The