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 indeed of any nation that has progressed beyond a certain mark in civilization. But it is common in their märchen, as well as in the sagas of more backward nations. In the sagas of the advanced races, with rare exceptions, the most we get is what looks like a reminiscence of the episode in the occasional reappearance of the supernatural wife to her children, or as a Banshee. Putting this reminiscence, if it be one, aside for the present, we will first discuss some aspects of the bride's recovery. In doing so, though the natural order may seem to be inverted, we shall in effect clear the ground for the proper understanding of the main features of the myth.

Many variants of the legend of Tawhaki are current among the Maories. According to that adopted by Sir George Grey, he was a hero renowned for his courage, whose fame had reached to heaven. There Tango-tango, a maiden of heavenly race, fell in love with him from report; and one night she descended to the earth and lay down by his side. She continued to do this nightly, stealing away again before dawn to her home. But when she found herself likely to become a mother she remained with him openly; and when her daughter was born she gave her to her husband to wash. Evidently he did not like the work, for while carrying out his wife's instructions, Tawhaki made a very rude remark about the child. Hearing this, Tango-tango began to sob bitterly, and at last rose up from her place with the child and took flight to the sky. Her husband determined to seek her. He found his way to the place where a creeper hung down from heaven and struck its roots into the earth. It was guarded there by a blind old ancestress of his, whom he restored to sight, and from whom he obtained directions how to climb the plant. Arrived in heaven, he disguised himself and had to undergo the indignity—he, a mighty chieftain—of being enslaved by his wife's relatives, for whom he was compelled to perform menial work. At length, however,