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 sometimes in the darkness of night the nurses would hear her busy with a mother's care for her little children. Gervase adds that one of her daughters was married to a relative of his own belonging to a noble family of Provence, and her descendants were living at the time he wrote.

The story, as told of Melusina, was amplified, but in its substance differed little from the foregoing. Melusina does not forbid her husband to see her naked, but bargains for absolute privacy on Saturdays. When Raymond violates this covenant he finds her in her bath with her lower extremities changed into a serpent's tail. The lady appears to be unconscious of her husband's discovery; and nothing happens until, in a paroxysm of anger and grief, arising from the murder of one of his children by another, he cries out upon her as an odious serpent, the contaminator of his race. It will be remembered that in the Esthonian tale cited in Chapter VIII the youth is forbidden to call his mistress mermaid; and all goes well until he peeps into the locked chamber, where she passes her Thursdays, and finds her in mermaid form. Far away in Japan we learn that the hero Hohodemi wedded Toyotamahime, a daughter of the Sea-god, and built a house for her on the strand where she might give birth to her child. She strictly forbade him to come near until the happy event was over: he was to remain in his own dwelling, and on no account to attempt to see her until she sent for him. His curiosity, however, was too much for his happiness. He peeped, and saw his wife writhing to and fro on the floor in the shape of a dragon. He started back, shocked; and when, later on, Toyotamahime called him to her, she saw by his countenance that he had discovered the secret she had thought to hide from all mankind. In spite of his entreaties she plunged into the sea, never more to see her lord. Her boy, notwithstanding, was still the object of her care.