Page:The Sanskrit Drama.djvu/109

104 Acts without beginning or final verses. Cārudatta, a merchant whose generosity has impoverished him, has seen a hetaera Vasantasenā at a festival, and they have fallen in love. Pursued by the king's brother-in-law, Saṁsthāna, Vasantasenā takes refuge in Cārudatta's house, and, when she goes, she leaves in his care her gold ornaments. She generously ransoms from his creditors a former servant of Cārudatta, who then renounces the world and becomes a monk. In the night the ornaments, which she had deposited, are stolen by a thief Sajjalaka who breaks into Cārudatta's house, in order to gain the means to purchase the freedom of a slave of the hetaera with whom he is in love. Cārudatta is overcome with shame at learning of the theft of goods deposited in his care, and his noble wife sacrifices a pearl necklace, which she gives to the Vidūṣaka to hand over to Vasantasenā in lieu of her lost jewels. He takes it to the hetaera, who has learned of the theft, but accepts it to have the excuse of visiting the merchant once more. She therefore hands over the slave girl to Sajjalaka, and starts out to Cārudatta's house. At this point the play ends abruptly, but it seems as if Cārudatta were accused of theft, and that Vasantasenā herself is in grave danger of her life.

A verse of this play is cited by Vāmana and another, found also in the Bālacarita and the Mṛcchakaṭikā, is quoted by Daṇḍin in the Kāvyādarça. We need not doubt that Bhāsa is his source, especially as there is possibly elsewhere in the Kāvyādarça an allusion to the dream scene of the Svapnavāsavadatta and its sequel. The Daridracārudatta mentioned by Abhinavagupta is most probably the same work. From it are derived the first four Acts of the Mṛcchakaṭikā. The source of the drama is not certain; we have the motif of the love of a merchant and a hetaera elsewhere, but not with the special developments given by Bhāsa.

Verses attributed to Bhāsa are also found which are not contained in the extant dramas, so that, even allowing for misquotation and confusion, it is probable that he may have written