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 than that of the Emperor Daigo. Why should he not order a series of paintings illustrating the principal events of his own reign? Among these subjects one would naturally be the crowning of the Vestal at the Daigoku Hall upon the day of her departure for Ise. He entrusted this scene to Kose no Kimmochi and it may be imagined with what care and insistence he discussed every detail of a work so dear to his heart. It was encased in a delicately fretted box of aloes-wood. The pattern on the wrappings and decorations of the roll was a heart-shaped crest formed by leaves of the same tree. Nothing could have been more delightfully up-to-date. He sent it by the hand of the Captain of the Senior Bodyguard, who was one of his retainers. There was no message, save for a poem written on the picture just by where the Vestal was shown arriving in her litter at the Daigoku Hall: 'Though I no longer within the Circle of the Gods a place may take, yet unforgotten is the concourse which in those hours with bright Divinities I held.'

To return no answer would show too great a disrespect towards one who had once occupied the Throne, and though these attentions distressed her she broke off a piece of the ritual comb which he had fastened in her hair on that day long ago, and tying to it the verse 'Not yet forgotten is that high converse, and once again within the Precinct of the Gods oh were it but my lot to stray!' she wrapped the broken comb in Chinese paper of deep colour and gave it to the messenger, whom she rewarded with many handsome presents. The ex-Emperor when he opened the packet was deeply moved, and for the first time regretted that he had so soon resigned the Throne. Not unnaturally