Page:The Sacred Fount (New York, Charles Scribner's Sons, 1901).djvu/233

 humanly to accompany him a step, I had opened. On the other side of it I took leave of him. The passage, though there was a light in the distance, was darker than the smoking-room, and I had drawn the door to.

"Good-night, Brissenden. I shall be gone tomorrow before you show."

I shall never forget the way that, struck by my word, he let his white face fix me in the dusk. Show'? What do I show?"

I had taken his hand for farewell, and, inevitably laughing, but as the falsest of notes, I gave it a shake. "You show nothing! You're magnificent."

He let me keep his hand while things unspoken and untouched, unspeakable and untouchable, everything that had been between us in the wood a few hours before, were between us again. But so we could only leave them, and, with a short, sharp "Good-bye!" he completely released himself. With my hand on the latch of the closed door I watched a minute his retreat along the passage, and I remember the reflection that, before rejoining Obert, I made on it. I seemed perpetually, at Newmarch, to be taking his measure from behind.

Ford Obert has since told me that when I came back to him there were tears in my eyes, and I didn't know at the moment how much the words with which he met me took for granted my 227