Page:The Sacred Fount (New York, Charles Scribner's Sons, 1901).djvu/139

 expression broke down. Her lovely grimace, the light of the previous hours, was as blurred as a bit of brushwork in water-colour spoiled by the upsetting of the artist's glass. She fixed me with it as she had fixed during the day forty persons, but it fluttered like a bird with a broken wing. She looked about and above, down each of our dusky avenues and up at our gilded tree-tops and our painted sky, where, at the moment, the passage of a flight of rooks made a clamour. She appeared to wish to produce some explanation of her solitude, but I was quickly enough sure that she would never find a presentable one. I only wanted to show her how little I required it. "I like a lonely walk," I went on, "at the end of a day full of people: it's always, to me, on such occasions, quite as if something has happened that the mind wants to catch and fix before the vividness fades. So I mope by myself an hour—I take stock of my impressions. But there's one thing I don't believe you know. This is the very first time, in such a place and at such an hour, that it has ever befallen me to come across a friend stricken with the same perversity and engaged in the same pursuit. Most people, don't you see?"—I kept it up as I could—"don't in the least know what has happened to them, and don't care to know. That's one way, and I don't deny it may be practically the best. But if one does care to know, that's another way. As soon as I saw 133