Page:The Rock-cut Temples of India.djvu/131



IEW taken from the entrance showing the arrangement of the interior and illustrating also the effect of the mode of lighting. The whole light being introduced through one great opening in the centre of the façade throws a brilliant light on the altar—the principal object—and also in the triforium belt and the capitals of the pillars, being exactly where it is most wanted for artistic effect. The spectator himself stands in the shade. The light on the floor is subdued, and the roof and aisles fade into comparative gloom. It is perhaps the most artistic mode of lighting a building of this class that has ever been invented, certainly superior to anything that was done by the Romans, or during the middle ages. It might require the brilliant climate of India to admit of its application to any large hall; but, for a small chapel or room, the one great light behind and above the worshippers is the most perfect arrangement which has yet been attempted. 26