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 mind, and he fell to wondering whether it was possible that some monkey in the neighbourhood came down the chimney and acted the part of a person engaged in study. Deriving his knowledge of the habits of these animals in the main from the paintings of Watteau and Chardin, he took it that, in the art of imitating gestures or assuming characters they resembled Harlequin, Scaramouch, Zerlin, and the Doctors of the Italian comedy; he imagined them handling a palette and brushes, pounding drugs in a mortar, or turning over the leaves of an old treatise on alchemy beside an athanor. And so it was that, when, on one unhappy morning, he saw a huge blot of ink on one of the leaves of the third volume of the polyglot Bible bound in blue morocco and adorned with the arms of the Comte de Mirabeau, he had no doubt that a monkey was the author of the evil deed. The monkey had been pretending to take notes and had upset the inkpot. It must be a monkey belonging to a learned professor.

Imbued with this idea, Monsieur Sariette carefully studied the topography of the district, so as to draw a cordon round the group of houses amid which the d’Esparvieu house stood. Then he visited the four surrounding streets, asking at every door if there was a monkey in the house. He interrogated porters and their wives, washerwomen, servants, a cobbler, a greengrocer, a glazier, clerks in bookshops, a priest, a bookbinder, two