Page:The Relentless City.djvu/80

70 by the picture-gallery, which contained some extremely fine specimens of the great English portrait-school, a few dubious old masters, some good Lancrets, and several very valuable pictures by that very bright young American artist, Sam Wallace. These, as all the world knows, represent scenes from the ballet and such subjects, and he is supposed to have a prodigious eye for colour. Here, too, of course, was an unrivalled place for ping-pong, and Mrs. Palmer had caused to be made a very large court, so that four people could play together. Great grave English footmen, when the game was in progress, were stationed at each end to pick up the balls, and hand them on silver salvers to the server; and they had rather a busy time of it, for the majority of Mrs. Palmer's guests found a difficulty in inducing the ball to go anywhere near the table. But they found it very amusing, and it produced shrieks of senseless laughter.

An observant man might have noticed in a dark corner of the hall a small green baize door. It was in shadow of the staircase, and might easily have escaped him altogether; but if he noticed it, it would have struck him as odd that this plain baize door, with three brass initials on it—L. S. P.—should find a place in this magnificence. If it had only been L. S. D., it would have been quite in place, and might have been taken to be the shrine of the tutelary god of the place. Shrine indeed it was, and the tutelary god sat within; for the initials were those of Mrs. Palmer's husband.

It was a perfectly plain, bare room, with drugget on the floor, an almanac hung near the fireplace, a large table stood in the centre of the room, on which were piles of papers, apparatus for writing, and usually a glass of milk. From the door to the right there came the subdued tickings of telegraph apparatus; near that door sat a young man on a plain wooden chair, and at the table sat a small, gray-haired man,