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214 if to match, even as the rose-colour of youthful cheeks matches the slender litheness of the frame, the girlish grace of the tree itself. Flecks of sunlight lay like spangles on the grass below the trees, and in spaces between them the blue blaze of the June day poured down on to the flower-decked grass. The last of the bluebells still lingered in shady places, as if pieces of sky had fallen there; tall foxgloves rose in spires of blossoms through thickets of bramble; buttercups made a sunlight of their own, and in the shelter of scattered coppices the pale wind-flowers still dreamed in whiteness.

Not far in front of them, the centre point of Amelie's sketch, rose a huge thorn, covered with clusters of crimson blossom, standing in full sunlight, so throbbing and bursting with colour that she almost fancied she could see on the pale green of the slender-fingered birches that grew near some red reflection of that glorious blaze. To the right of it one could see through the tree-trunks the gray palings of an enclosed cover, where the ground tumbled upwards under pines, and the velvet of the turf was riddled and sandy with rabbit-holes. A fringe of elders, with the white umbrella of their flowers, grew there, and tawny honeysuckle added one more note to the great symphony of delicate woodland smell.

And even more entrancing than the woodland smell, more subtly mingled than that bouquet of coolness and greenness, of the aroma of pines, the drowsiness of the honeysuckle, the languor of the elders, was the symphony of woodland sound, the forest murmur that filled the ear even as the greenness filled and refreshed the eye. The hum of insects, of bees at their fragrant labour, was the bourdon note that pervaded everything; a light breeze stirred in the trees, calling out of each its own distinctive note—from the pines the sound of waves very far off, from the birches a thin, sibilant murmur, from the beech something a little lower