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Rh and honest affection; he gave her immense admiration; he gave her as much, for he was of ardent nature, as many men have ever felt. All the chords of his lyre sounded for her. But once there had been another chord; that he could not give her, for it was gone.

Consequently, when he wondered whether continuous contact with American milieu might not prove absolutely intolerable, he did not include in his misgivings his continuous contact with Amelie. He had deliberately set out in the quest of a wealthy wife, and he had found one in all ways so charming, so lovable, that the mercenary side of his quest was out of sight. That quest, he admitted to himself, was not a very exalted one; but as his father had pointed out, he could not, practically speaking, marry a poor girl—at least, without marrying a great deal of discomfort—and it was therefore more sensible to look for his wife among wealth. He had been quite prepared, in fact, for marrying a girl who provided she saw the matter in the same light. Amelie did much more than

Two nights before his marriage he had been to a very ingenious party, the author and inventor of which had been Reggie Armstrong. It was called a party, for he had caused his stable-yard to be flooded, and erected in the centre of it a huge wooden building in shape and form exactly like the Noah's arks which children play with. It had false painted windows on it, the whole was in crude and glaring colours, and it was approached up a gang-plank across the stable-yard. At the door stood Reggie Armstrong on a little wooden stand, dressed like Noah in a brown ulster, with a stiff wide-awake hat and a false black beard, and by him the four other people who were the joint hosts. Mrs. Palmer was one, representing Mrs. Noah, and three young New York bachelors were Shem, Ham, and Japheth. A confused noise came from within the ark, and