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 St. Peter entered the building and went upstairs to a small room at the end of a chain of laboratories. After knocking, he heard the familiar shuffle of Crane’s carpet slippers, and the door opened.

Crane was wearing a grey cotton coat, shrunk to a rag by washing, though he wasn’t working with fluids or batteries to-night, but at a roll-top desk littered with papers. The room was like any study behind a lecture room; dusty books, dusty files, but no apparatus—except a spirit-lamp and a little saucepan in which the physicist heated water for his cocoa at regular intervals. He was working by the glare of an unshaded electric bulb of high power— the man seemed to have no feeling for comfort of any kind. He asked his visitor to sit down, and to excuse him for a moment while he copied some entries into a note-book.

St. Peter watched him scribbling with his fountain pen. The hands that were so deft in delicate manipulations were white and soft-looking; the fingers long and loosely hung, stained with chemicals, and blunted at the tips like a violinist’s. His head was square, and the lower part of his face was covered by a reddish, matted beard. His pale eyes and fawn-coloured eyebrows were outbalanced by his mouth, his most conspicuous feature. One always remembered about Crane that unexpected, startling red mouth in a setting of kinky beard. The lips had no modelling, they were as thick at the