Page:The Princess Casamassima (London and New York, Macmillan & Co., 1886), Volume 1.djvu/71

 curves. Her gloves, covering her wrists insufficiently, showed the redness of those parts, in the interstices of the numerous silver bracelets that encircled them, and Miss Pynsent made the observation that her hands were not more delicate than her feet. She was not graceful, and even the little dressmaker, whose preference for distinguished forms never deserted her, indulged in the mental reflection that she was common, for all her magnificence; but there was something about her indescribably fresh, successful and satisfying. She was, to her blunt, expanded fingertips, a daughter of London, of the crowded streets and hustling traffic of the great city; she had drawn her health and strength from its dingy courts and foggy thoroughfares, and peopled its parks and squares and crescents with her ambitions; it had entered into her blood and her bone, the sound of her voice and the carriage of her head; she understood it by instinct and loved it with passion; she represented its immense vulgarities and curiosities, its brutality and its knowingness, its good-nature and its impudence, and might have figured, in an allegorical procession, as a kind of glorified townswoman, a nymph of the wilderness of Middlesex, a flower of the accumulated parishes, the genius of urban civilisation, the muse of cockneyism. The restrictions under which Miss Pynsent regarded her would have cost the dressmaker some fewer scruples if she had guessed the impression she made upon Millicent, and how the whole place seemed to that prosperous young lady to smell of poverty and failure. Her childish image of Miss Pynsent had represented her as delicate and dainty, with round loops of hair fastened on her temples by combs, and associations of brilliancy arising