Page:The Portrait of a Lady (London, Macmillan & Co., 1881) Volume 2.djvu/108

 before. One could see this in Gilbert Osmond, Madame Merle thought—see that he had been brought up by a woman; though, to do him justice, one would suppose it had been by a more sensible woman than the American Corinne, as Mrs. Osmond liked to be called. She had brought her children to Italy after her husband's death, and Mrs. Touchett remembered her during the years that followed her arrival. She thought her a horrible snob; but this was an irregularity of judgment on Mrs. Touchett's part, for she, like Mrs. Osmond, approved of political marriages. The Countess was very good company, and not such a fool as she seemed; one got on with her perfectly if one observed a single simple condition—that of not believing a word she said. Madame Merle had always made the best of her for her brother's sake; he always appreciated any kindness shown to Amy, because (if it had to be confessed for him) he was rather ashamed of her. Naturally, he couldn't like her style, her loudness, her want of repose. She displeased him; she acted on his nerves; she was not his sort of woman. What was his sort of woman? Oh, the opposite of the Countess, a woman who should always speak the truth. Isabel was unable to estimate the number of fibs her visitor had told her; the Countess indeed had given her an impression of rather silly sincerity. She had talked almost exclusively about herself; how much she should like to know Miss Archer; how thankful she should be for a real friend; how nasty the people in Florence were; how tired she was of the place; how much she should like to live somewhere else—in Paris, or London, or St. Petersburg; how impossible it was to get anything nice to wear in Italy, except a little old lace; how dear the world was growing everywhere; what a life of suffering and privation she had led. Madame Merle listened with interest to Isabel's account of her conversation with this plaintive