Page:The Poetry of Architecture.djvu/70

58 for a chimney has not the slightest feeling, and never will have any, of its beauty or its use; he was never born to be an architect, and never will be one.

Now, if chimneys are not to be decorated (since their existence is necessary), it becomes an object of some importance to know what is to be done with them: and we enter into the enquiry before leaving the cottage, as in its most proper place; because, in the cottage, and only in the cottage, it is desirable to direct attention to smoke.

Speculation, however, on the beau-ideal of a chimney can never be unshackled; because, though we may imagine what it ought to be, we can never tell, until the house is built, what it must be; we may require it to be short, and find that it will smoke, unless it is long; or we may desire it to be covered, and find it will not go unless it is open. We can fix, therefore, on no one model; but by looking over the chimneys of a few nations, we may deduce some general principles from their varieties, which may always be brought into play, by whatever circumstances our own imaginations may be confined.

Looking first to the mind of the people, we cannot expect to find good examples of the chimney, as we go to the south. The Italian or the Spaniard does not know the use of a chimney: properly speaking, they have such things, and they light a fire, five days in the year, chiefly of wood, which does not give smoke enough to teach the chimney its business; but they have not the slightest idea of the meaning or the beauty of such things as hobs, and