Page:The Poetry of Architecture.djvu/25

Rh withering into desolation. Little is renewed: there is little spirit of improvement; and the customs which prevailed centuries ago are still taught by the patriarchs of the families to their grandchildren. The French cottage, therefore, is just such as we should have expected from the disposition of its inhabitants: its massive windows, its broken ornaments, its whole air and appearance, all tell the same tale of venerable age, respected and preserved, till at last its dilapidation wears an appearance of neglect. Again, the Englishman will sacrifice everything to comfort, and will not only take great pains to secure it, but he has generally also the power of doing so; for the English peasant is, on the average, wealthier than the French. The French peasant has no idea of comfort, and, therefore, makes no effort to secure it. This difference in the character of their inhabitants is, as we have seen, written on the fronts of the respective cottages. The Englishman is, also, fond of display; but the ornaments, exterior and interior, with which he adorns his dwelling, however small it may be, are either to show the extent of his possessions, or to contribute to some personal profit or gratification: they never seem designed for the sake of ornament alone. Thus, his wife's love of display is shown by the rows of useless crockery in her cupboard; and his own by the rose tree at the front door, from which he may obtain an early bud to stick in the button-hole of his best blue coat on Sundays: the honeysuckle is cultivated for its smell, the garden for its cabbages. Not so in France.