Page:The Poetry of Architecture.djvu/245

Rh think enough has been said to show what we mean. Now, from this principle we deduce the grand primary rule: whenever the conduct or the writings of any individual have been directed or inspired by feelings regarding man, let his monument be among men; whenever they have been directed or inspired by nature, let nature be intrusted with the monument.

Again, all monuments to individuals are, to a certain extent, triumphant; therefore, they must not be placed where nature has no elevation of character, except in a few rare cases. For instance, a monument to Isaac Walton would be best placed in a low green meadow, within sight of some secluded and humble village; but, in general, elevation of character is required. Hence it appears, that, as far as the feeling of the thing is concerned, works of art should be often combined with the bold and beautiful scenery of nature. Where, for instance, we would ask of the editor of the Courant, would he place a monument to Virgil or to Salvator Rosa. We think his answer would be very inconsistent with his general proposition. There are, indeed, a few