Page:The New Negro.pdf/29

Rh self-expression of the Young Negro, in his poetry, his art, his education and his new outlook, with the additional advantage, of course, of the poise and greater certainty of knowing what it is all about. From this comes the promise and warrant of a new leadership. As one of them has discerningly put it:

This is what, even more than any "most creditable record of fifty years of freedom," requires that the Negro of to-day be seen through other than the dusty spectacles of past controversy. The day of "aunties," "uncles" and "mammies" is equally gone. Uncle Tom and Sambo have passed on, and even the "Colonel" and "George" play barnstorm rôles from which they escape with relief when the public spotlight is off. The popular melodrama has about played itself out, and it is time to scrap the fictions, garret the bogeys and settle down to a realistic facing of facts.

First we must observe some of the changes which since the traditional lines of opinion were drawn have rendered these quite obsolete. A main change has been, of course, that shifting of the Negro population which has made the Negro problem no longer exclusively or even predominantly Southern Why should our minds remain sectionalized, when the problem itself no longer is? Then the trend of migration has not only been toward the North and the Central Midwest, but city-ward and to the great centers of industry—the problems of adjustment are new, practical, local and not peculiarly racial. Rather they are an integral part of the large industrial and social problems of our present-day democracy. And finally, with the Negro rapidly in process