Page:The Naturalisation of the Supernatural.pdf/44

26 real to the percipients was clearly shown in many instances. Here is an account of one of his visions given by a youth named Whybrew:

Whybrew was rather pleased with this picture, and asked afterwards whether it was for sale!

The next case may serve to illustrate the danger of excessive culture. The experiment came near to failure because the percipient, a young man named Major, had too lofty a conception of the functions of art. "The subject given was a mouse in a mouse-trap. Regarding himself as a man of high culture and being generally anxious to