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CHAP. VIII Its terms were somewhat more concrete and physical than the Latin, but readily lent themselves to figurative meanings. More palpably the poetry with its reflection upon life shows the endowment of the race. Marked is its elegiac mood. In an old poem is heard the voice of one who sails with hapless care the exile's way, and must forego his dear lord's gifts: in sleep he kisses him, and again lays hands and head upon those knees, as in times past. Then wakes the friendless man, and sees the ocean's waves, the gulls spreading their wings, rime and snow falling. More impersonal is the heavy tone of a meditative fragment over the ruins, apparently, of a Roman city:

But the noblest presentation of character in pagan Anglo-Saxon poetry is afforded by the epic poem of Beowulf, which tells the story of a Geatic hero who sets out for Denmark to slay a monster, accomplishes the feat, is nobly rewarded by the Danish king, and returns to rule his own people justly for fifty winters, when his valiant and beneficent life ends in a last victorious conflict with a hoard-guarding dragon. Here myth and tradition were not peculiarly Anglo-Saxon; but the finally recast and finished work, noble in diction, sentiment, and action, expresses the highest ethics of Anglo-Saxon heathendom. Beowulf does what he ought to do, heroically; and finds