Page:The Literary Magnet 1824 vol 2.djvu/187



a century back, if we can give credit to the old Chronicle, an old wandering bag-piper settled at Neisse, a small town in Silesia. He lived quietly and honestly, and at first played his tunes in secret for his own amusement; but it was not long, as his neighbours delighted in listening to him, and would often in the calm of a warm midsummer evening gather round his door, whilst he called forth the cheering sounds of harmony, before Master Wilibald became acquainted both with old and young, was flattered and caressed, and lived in content and prosperity.

The gallant beaux of the place, who had near his door first beheld those lovely creatures, for whose sake they had written so much bad poetry, and lost so much more valuable time, were his constant customers for melting songs, while they drowned the softer passages with the depth of their sighs. The old citizens invited him at their solemn dinner-parties; and no bride would have deemed her wedding-feast to be completely celebrated, had not Master Wilibald played the bridal dance of his own composition. For this very purpose he had invented a most tender melody, which united gaiety and gravity, playful ideas and melancholy feelings, forming a true emblem of matrimonial life.—A feeble trace of this tune is still to be found in what is called, the old German Grandfather’s Dance, which, as far down as the time of our parents, was an important requisite of a wedding feast, and is even heard now and then in our days. As often as Master Wilibald played this tune, the prudest spinster would not refuse to dance, the stooping matron moved again her time-stiffened joints, and the grey-haired grandfather danced it merrily with the blooming offspring of his children. This dance seemed really to restore youth to the old, and this was the cause of its being called, at first in jest, and afterwards generally, the Grandfather’s Dance.

A young painter, of the name of Wido, lived with Master Wilibald; he was thought to be the son, or the foster-son, of the musician. The effect of the old man’s art on this youth was lost. He remained silent and mournful at the most mirth-inspiring tunes Wilibald played to him; and at the balls, to which he was often invited, he rarely mingled with the gay: but would retire into a corner, and fix his eyes on the loveliest fair one that graced the room, neither daring to address, nor to offer her his hand. Her father, the Mayor of the town, was a proud and haughty man, who would have thought his dignity lessened, had an unknown limner cast his eye upon his daughter. But the beautiful Emma was not —40.—Fourth Edit.