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presses of the great printers. In this condition it is a far more interesting relic. But a morocco case may be made for the book, and lettered properly on the back, so that the volume, though really unbound, may take its place with the bound books on the shelves. A copy of any of Shelley's poems, in the original wrappers, should I venture to think be treated thus, and so should the original editions of Keats's and of Mr. Tennyson's works. A collector, who is also an author, will perhaps like to have copies of his own works in morocco, for their coats will give them a chance of surviving the storms of time. But most other books, not of the highest rarity and interest, will be sufficiently clothed in half-bindings, that is, with leather backs and corners, while the rest of the cover is of cloth or paper, or whatever other substance seems most appropriate. An Oxford tutor used to give half-binding as an example of what Aristotle calls Μικροπρέπεια, or "shabbiness," and when we recommend such coverings for books it is as a counsel of expediency, not of perfection. But we cannot all be millionaires; and, let it be remembered, the really wise amateur will never be extravagant, nor let his taste lead him into "the ignoble melancholy of pecuniary embarrassment." Let the example of Charles Nodier be our warning; nay, let us