Page:The Lay of the Last Minstrel - Scott (1805).djvu/242



It is impossible to conceive a more beautiful specimen of the lightness and elegance of Gothic architecture, when in its purity, than the eastern window of Melrose abbey. Sir James Hall of Dunglas, bart. has, with great ingenuity and plausibility, traced the Gothic order through its various forms, and seemingly eccentric ornaments, to an architectural imitation of wicker-work; of which, as we learn from some of the legends, the earliest Christian churches were constructed. In such an edifice, the original of the clustered pillars is traced to a set of round posts, begirt with slender rods of willow, whose loose summits were brought to meet from all quarters, and bound together artificially, so as to produce the frame-work of the roof; and the tracery of our Gothic windows is displayed in the meeting and interlacing of rods and hoops, affording an inexhaustible variety of beautiful forms of open work. This ingenious system is alluded to in the romance. Sir James Hall's essay on Gothic architecture is published in the Edinburgh Philosophical Transactions.

A large marble stone, in the chancel of Melrose, is pointed out as the monument of Alexander II., one of the greatest of our early kings; others say, it is the resting place of Waldeve, one of the early abbots, who died in the odour of sanctity.