Page:The Journal of Leo Tolstoy.djvu/12

 which is an act of violence in itself. It was then that Tolstoi was looked upon with askance by the Russian authorities and formerly anathematised from the church. It was to his followers that the more drastic punishment of imprisonment and exile was meted out.

Toward the latter years of his life, his great human heart could not remain quite closed to the violence around him, and religious thinker that he was, he had to stop his meditations to cry out against the Kishineff massacres of the Jews and against the raising of the scaffolds and the tying of the "Stolypine's neck-ties," that most telling nickname of the Russian people for the noose, which was tied even for school children on the crossroads of Russia after the bitter failure of the revolution of 1905.

It was only in What Is Art? that the Russian people and Tolstoi were unanimously at one. Art is to serve the people, to be of the people, to be something understandable by all people. There were to be no dogmas for art, no German metaphysics for art. It was merely the means of expressing to his neighbour the mysteries that went on in the soul of the artist. There was no quarrel here between his fellow countrymen and the great thinker. Everything was to be for the people; the spiritual manifestations of life as well as the material.